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Representations of Key Sufi Concepts in Khalil Gibran’s The Madman (1918)

Authors

  • Nur Mashitah Wahidah binti Anuar International Islamic University Malaysia (IIUM)
  • Homam Altabaa International Islamic University Malaysia (IIUM)

DOI:

https://doi.org/10.31436/jia.v22i1.1292

Keywords:

Khalil Gibran, The Madman, Sufism, Thematic Analysis, Madness, Haqiqah, Nafs, Tazkiyah

Abstract

This study examines the representation of key Sufi concepts in Khalil Gibran’s first English book, The Madman (1918). The study uses Sufism as its main theoretical framework and thematic analysis as its methodology to identify key Sufi concepts that appear recurrently across the book. Sufi concepts that are found throughout the analysis are categorised into four main themes that comprise various interrelated Sufi concepts and represent the most prominent aspects of Sufism depicted in the works. Based on the analysis, there are four primary themes that can be identified in the analysed which are madness, Truth (haqiqah), the soul (nafs), and purification (tazkiyah). Although the analysis of the concepts indicates a connection between Gibran’s ideas and Sufism, this study observes numerous differences between them. This underscores that Gibran’s philosophy is not a comprehensive representation of, nor adherence to, Sufism. While many of Gibran’s perspectives align closely with Sufi thought, his works encompass a broader spectrum of spiritual ideas. This study enhances the understanding of Gibran’s spiritual vision, which transcends the confines of any single religious tradition. Moreover, by analysing the Sufi concepts in The Madman, the study contributes to a more profound understanding of Sufism in literature.

Author Biographies

Nur Mashitah Wahidah binti Anuar, International Islamic University Malaysia (IIUM)

Postgraduate student at the Department of English Language and Literature, International Islamic University Malaysia. Corresponding author’s email: nmashitahwahidah@gmail.com

Homam Altabaa, International Islamic University Malaysia (IIUM)

Assistant Professor at the Department of English Language and Literature, Abdulhamid Abusulayman Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia. Corresponding author’s email: drhomam@iium.edu.my

References

Amirani, Shoku, and Stephanie Hegarty. “Kahlil Gibran’s the Prophet: Why Is It so Loved?” BBC News, May 12, 2012. https://www.bbc.com/news/magazine-17997163.

Geoffroy, Eric. Introduction to Sufism: The inner path of islam. World Wisdom, 2010.

Gülen, Fethullah M. Emerald Hills of the Heart: Key Concepts in the Practice of Sufism. Kaynak (Izmir) A.S, 2000.

Mitchell, Gus. “Kahlil Gibran: Godfather of the ‘New Age.’” JSTOR Daily, September 27, 2023. https://daily.jstor.org/kahlil-gibran-godfather-of-the-new-age/.

Renard, John. Historical Dictionary of Sufism. The Scarecrow Press, Inc, 2005.

Suheil, Bushrui, and Joe Jenkins. Kahlil Gibran, Man and poet: A new biography. Oneworld, 2008.

Published

2025-06-23

Versions

How to Cite

Nur Mashitah Wahidah binti Anuar, & Altabaa, H. (2025). Representations of Key Sufi Concepts in Khalil Gibran’s The Madman (1918). Journal of Islam in Asia (E-ISSN 2289-8077), 22(1). https://doi.org/10.31436/jia.v22i1.1292

Issue

Section

English Articles