Asiatic: IIUM Journal of English Language and Literature
https://journals.iium.edu.my/asiatic/index.php/ajell
<h2 align="justify">An International Journal of Asian Literatures, Cultures and Englishes</h2> <div id="content"> <p align="justify">A peer-reviewed online journal published biannually in June and December. ISSN 1985-3106</p> <p align="justify"><img style="box-sizing: border-box; max-width: 100%; width: 263px; height: 370px; border-style: none;" src="https://journals.iium.edu.my/asiatic/../pub/asiatic/public/site/images/admin/AJELL-cover-image1.png" align="left" border="0" hspace="5" vspace="5" /></p> <p align="justify"><strong>Aims and Scope: </strong><em>Asiatic </em>is the very first international journal on English writings by Asian writers and writers of Asian origins. English writings on Asian societies and cultures are also within the scope of the journal. Currently, the only one of its kind, it aims to publish high-quality researches and outstanding creative works spanning the broad fields of literature and linguistics.</p> <p align="justify"><em>Asiatic</em> will contain a rich collection of selected articles on issues that deal with Asian Englishes, Asian cultures and Asian literatures in English, including diasporic literature and Asian literatures in translation. Articles may include studies that address the multidimensional impacts of the English Language on a wide variety of Asian cultures (South Asian, East Asian, Southeast Asian and others). Subjects of debates and discussions will encompass the socio-economic facet of the Asian world in relation to current academic investigations on literature, culture and linguistics. This approach will present the works of English-trained Asian writers and scholars, having English as the unifying medium of expression and Asia as the fundamental backdrop of their study.</p> <p align="justify">The three different segments that will be featured in each issue of <em>Asiatic</em> are: (i) critical writings on literary, cultural and linguistics studies, (ii) creative writings that include works of prose fiction and selections of poetry and (iii) review articles on books, novels and plays in English (or translated into English) that deal with Asian themes. These works will reflect how elements of western and Asian are both subtly and intensely intertwined as a result of acculturation, globalisation and other cross-cultural contacts.</p> <p align="justify"><em>Asiatic </em>invites original research works containing profound ideas and insightful thoughts that can potentially open avenues to new perspectives in the fields of language, literature and culture. </p> <p align="justify"><strong>Abstracting and Indexing:</strong> <em>Asiatic</em> is currently indexed in AustLit: Australian Resource for Literature, Clarivate Analytics' Web of Science (ESCI), Directory of Abstract Indexing for Journals (DAIJ), Duotrope, EBSCOhost, Eurasian Scientific Journal Index (ESJI), Google Scholar, InfoBase Index, Journal of Commonwealth Literature's Annual Bibliography (UK), JournalSeek, Malaysian Citation Index (MyCite), Malaysian Abstracting and Indexing System (MyAIS), MLA International Bibliography, SCOPUS, The Year's Work in English Studies and UDL Edge (Malaysia).</p> <p align="justify"><em>Asiatic</em> is a member of the Council of Editors of Learned Journals (CELJ).</p> <p align="justify"><strong>Peer-review Policy</strong>: <em>Asiatic</em> is a peer-reviewed online journal, published biannually in June and December. All submissions to the Journal are read and evaluated typically by at least two reviewers before a publication decision is made. It is the Journal's policy not to release the identity of reviewers to authors or other referees during and after the review process. Likewise, referees are advised to treat all materials associated with the review process as confidential. Although referees may consult and seek advice from other researchers or colleagues, the referee must ensure that the confidentiality of the material sent for review is maintained. Moreover, referees should avoid using in their own research any material provided to them for peer-review.</p> <p align="justify"><strong>Ethics Statement</strong>: The Editorial Board of <em>Asiatic</em> is committed to meeting and upholding standards of ethical behaviour at all stages of the Journal's publication process. We subscribe to the guidelines for editors, peer-reviewers and authors set by the Committee on Publication Ethics (COPE).</p> <p align="justify"><em>Asiatic</em> uses the Turnitin software to detect plagiarism or intellectual theft. Therefore, by submitting a manuscript to the Journal, the author agrees to necessary originality checks for evaluation purposes.</p> <p align="justify">It is the responsibility of the author to obtain copyright permission, where necessary, for using material from other sources. The Journal and its publisher, IIUM Press, do not bear any responsibility for verifying copyright permissions provided by the author. Any breach of copyright laws will result in rejection of the submitted material or its retraction after publication. Furthermore, articles submitted to the Journal should not contain any libellous, defamatory, obscene or unlawful content.</p> <p align="justify"><strong>Open Access Policy: </strong><em>Asiatic </em>is an open access journal and all content in it is freely available without charge to the user or to their institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access. </p> <p align="justify"><strong>Privacy Statement: </strong>The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.</p> <p align="justify"><strong>Disclaimer</strong>: Opinions expressed in articles, book reviews and creative pieces published in this Journal are those of the authors and do not necessarily reflect the views of the editors, the editorial board or the publisher.</p> <p align="justify"><strong>Copyright</strong>© Asiatic, 2007-2022. All rights reserved.</p> </div>
International Islamic University Malaysia
en-US
Asiatic: IIUM Journal of English Language and Literature
1985-3106
<p style="margin: 0cm 0cm 0pt;"><span>Copyrights of all materials published in </span><em>Asiatic</em><span> are held exclusively by the Journal and the respective author/s. Any reproduction of material from the journal without proper acknowledgement or prior permission will result in the infringement of intellectual property laws.</span></p>
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7 October 2023 and Its Aftermath Through Edward Said’s Lens
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3638
<p>The Palestinian tragedy meted out by Israeli settler colonial domination has lasted for many decades. Increasing Israeli atrocities against Palestinians range from targeted killings and settler violence to mass murders, destruction of builtscapes, and denial of basic necessities of life such as food, water, healthcare, and communication systems. After innumerable episodes of calculated unilateral escalation of military violence against Palestinians, Israel has exhibited an increase in its aggressive behaviour in the ongoing genocide in Gaza. Had Edward Said been alive today, he would have taken great interest in interpreting the current events in the region. However, he identified a pattern in Israeli behaviour which has remained unjust to Palestinians since long before the 7 October 2023 event. Israel’s characteristic hostility to Palestinians examined by Said helps us understand its genocidal crimes, which this essay explores.</p>
Md. Mahmudul Hasan
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3638
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“Well Disposed Towards the Self and the World”: In Conversation with Daya Dissanayake
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3650
<p>This interview explores Daya Dissanayake’s moral vision, socio-cultural concerns, and creative credo. He discusses his latest novel <em>The Sacred Grove </em>(2024) and highlights his use of non-human and posthuman narrators. Dissanayake explains how bilingualism has enriched his work, as he extols digital creativity, a research mindset, a pluralistic outlook, and environmental awareness. The writer critiques the Eurocentric concept of nationalism and the lingering influence of imperialism on Sri Lankan identity, pleading for a more inclusive and eco-sensitive mindset. He also expresses his indebtedness to India’s cultural and literary heritage as a shaping influence on his sensibility. While he consciously avoids overt references to conflicts in his works, he offers a nuanced perspective on the Sri Lankan Civil War (1983 – 2009). He champions open-access publishing and lenient copyright laws and explores issues like family relationships, man-nature interactions, the gender question, the role of memory, and the need for non-violence. His scant poetic output and infrequent forays into non-fiction come under the scanner. As a votary of <em>Subhashita Sahitya</em> (morally responsible literature) Dissanayake regards universal well-being as his intended literary message. The interview ends with the author’s revelation of his future literary plans.</p>
Amit Bhattacharya
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3650
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Faith and Other Poems
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3657
<p>.</p>
Jose V. Clutario
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3657
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Oh My World
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3658
<p>.</p>
Ghulam Yasin
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3658
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Celestial <i>Salawat</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3659
<p>.</p>
Eka Yusup
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3659
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Participatory Culture and the Death of Cyberflânerie in Tao Lin’s <i>Taipei</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3639
<p>This paper examines how Tao Lin’s novel <em>Taipei</em> is seen through the lens of the “cyberflânerie,” and how that approach does not critically engage with the text. Cyberflânerie evolved from the twentieth-century concept of flânerie developed by Walter Benjamin and is a modern reinterpretation of the traditional flâneur adapted to the digital age. With social media rendering cyberflânerie impossible, the protagonist in<em> Taipei</em>, Paul, navigates a world in which his identity, consciousness, and interactions are deeply mediated by the Internet and social media. The paper argues that Paul’s experiences reflect a broader cultural shift towards a participatory culture, where individuals simultaneously consume and produce digital content, blurring the lines between producer and consumer (prosumer). The novel is seen as a travelogue of the digital age and how the Internet structures identity, community, and even emotional experiences, often leading to a sense of disconnection and alienation. Engaging with theories from media ecology and participatory culture, the discussion shows how digital technologies shape cognitive and social behaviours, and how the Internet has replaced the passive flâneur with an active participant in a networked society.</p>
Adil Hussain
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3639
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Representation of Ancient Turks in Isajon Sulton’s <i>Bilge Khagan</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3640
<p>Given its status as a Turkic-speaking nation of Central Asia, Uzbekistan provides a pertinent case study for the examination of contemporary portrayals of historical narratives, particularly those pertaining to the ancient Gokturks or Kök-Türks (ancient Turkic people), within the context of post-independence Uzbek literature. The present study examines the depiction of Turkic identity and ideas in Isajon Sulton’s novel <em>Bilge Khagan</em> from a postcolonial perspective, using pragmatic discourse analysis, new criticism, reader-response theory, and comparative literary methods. The findings demonstrate that Turkic elements, or Turkisms, integrated into the post-Soviet literary tradition of Turkic-speaking nations. These literary endeavours signify a deliberate attempt to decolonise cultural memory and revitalise Turkic heritage. The juxtaposition of Uzbek and Kazakh motifs is employed by authors to convey shared history, traditions, values, and the heroic legacy of the Gokturks, often with ideological objectives in mind. During the Soviet era, there was a considerable degree of distortion and suppression of Turkic literary and historical legacies. Orkhon-Yenisei inscriptions including <em>Bilge Khagan</em>, <em>Kul Tigin</em>, and <em>Tonyukuk</em> underpin modern Turkist literature. This article analyzes the reinterpretation of Bilge Khagan’s period in the second Ancient Turkic Khaganate, highlighting the author’s post-colonial interpretation of Turkism for contemporary readers.</p>
Ainur Akhmetova
Mavlon Bobokhonov
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3640
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Transcending Constraints: Female Bodily Discipline and Resistance in Han Kang’s <i>The Vegetarian</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3641
<p>Han Kang’s <em>The Vegetarian</em> (2015/2007) has been the subject of numerous scholarly explorations. Nevertheless, few studies have applied Michel Foucault’s theory of the body to examine the protagonist Yeong-hye’s struggle against societal norms. This paper fills this gap by analyzing how Yeong-hye’s body is disciplined, constrained, and reimagined within the frameworks of patriarchy and biopolitics. Through Foucault’s concept of the body as a site of power, we argue that Yeong-hye’s refusal to conform to societal expectations, such as her rejection of meat consumption and her attempts to “become a plant,” represents both a personal rebellion and a tragic reflection of the limitations imposed by patriarchal structures. This paper explores how her body, marked by both physical and psychological violence, becomes a battleground for identity reconstruction. This interpretation contributes to ongoing discussions on the intersection of gender, power, and the body, offering a fresh perspective on the existential and symbolic dimensions of Kang’s novel.</p>
Zhixing Nie
Hardev Kaur
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3641
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Roles, Conflicts, and Attachments: Motherhood in Selected Malaysian Poems
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3642
<p>Motherhood is often perceived as a unique and transformative journey, intricately linked to mothers, children, families and society. The roles expected of mothers have not changed much despite the ever-evolving societal dynamics. Asian mothers, especially in modern Malaysia are expected to juggle work and household chores and attend to the needs of their loved ones including their children, spouses, and extended family members. More often than not, this results in tremendous amounts of struggles, stress, trauma, and long-term psychological impacts on mothers because failing to perform maternal duties is never an option. Correspondingly, this study explores Malaysian poetry that depicts the intricacies of motherhood and its various aspects. Role theory, which conceptualises daily activities as performing roles that are socially constructed classifications, is applied in the analysis of six Malaysian poems, written by both female and male poets of different age groups. The representations of role playing and role taking as employed within role theory is utilised to uncover the ways in which mothers develop their concept of self accordingly. Findings highlight how poetry can unravel the connecting flow of multiple roles in motherhood that leads to conflicts, yet still result in attachment between the mother and child. The analysis reveals that a mother’s role is actually paradoxical in nature and the multiple roles, conflicts, and attachments merge together within motherhood; these entities cannot function on their own as they are all interconnected in the relationship. Both positive and negative emotions have been found to play a crucial part in leading to various types of attachments between mothers and children, which can be loving, bittersweet, or traumatic. This research has found Malaysian poetry unravels the different representations of motherhood in Malaysia whose experience is more than what meets the eye.</p>
Lalitha Parasuraman
Jeslyn Sharnita Amarasekera
Seach Jin Beng
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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64
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10.31436/asiatic.v19i1.3642
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Body as “Leased out” Land: Land-Women Embodiment in Devi’s and Huq’s Selected Stories
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3643
<p>This article undertakes a postcolonial ecofeminist critique of Mahasweta Devi’s “Douloti the Bountiful” and Hasan Azizul Huq’s “The Daughter and the Oleander,” set against the backdrop of brutal tribal realities and post-partition migration in India, respectively. Postcolonial ecofeminism, positioned at the intersection of postcolonial and ecological discourse, highlights the shared subjugation of women and nature in the Global South. While rooted in Western ecofeminist concerns regarding the feminisation of nature and the naturalisation of women, it deconstructs the mind-body dualism and examines the women-nature connection through the material realities of ethnic, cultural, colonial, racial, and gendered hegemony. Postcolonial ecofeminism, particularly in postcolonial landscapes, critiques Western ecofeminists’ symbolic association between women and land, arguing that such connections must be reevaluated in the contexts where sexual violence and economic exploitation define women’s lived experiences. A critical reading of “Douloti the Bountiful” and “The Daughter and the Oleander” reveals that, within impoverished economies, women’s youthful and beautiful bodies are commodified as financial resources, often through forced prostitution. Drawing on Neelam Jabeen’s assertions, this study contends that in both narratives, the female body functions as an exploited site—analogous to fertile land that is continuously cultivated for crops and cash crops—underscoring the fact that in the Global South, the land-woman embodiment is not merely symbolic but a lived and material reality.</p>
Maknun Akter
Shirin Akter Popy
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
19 1
81
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10.31436/asiatic.v19i1.3643
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Strategies of Translating Culture-Specific Items (CSIs) in Mo Yan’s <i>Red Sorghum</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3644
<p>This study focused on the translation of culture-specific items (CSIs) in Mo Yan’s novel <em>Red Sorghum</em> and the applicability of Functionalist Theory in analysing the data. This aim was divided into three specific objectives: identifying the strategies of translating CSIs, exploring their occurrence rates, and examining whether or not functionalist theory is applicable to the analysis of data. Drawing upon Aixelá’s translation strategies and Nida’s classification, this study examined translation strategies within the framework of functionalist theory. The results showed that the most commonly used techniques are absolute universalisation and linguistic translation. Second, different translation procedures are required for different classifications of CSIs. Thirdly, the study found that in order to maintain artistic and aesthetic value, an aesthetic rule shall be considered in literary translation.</p>
Yunchao Zuo
Syed Nurulakla Syed Abdullah
Florence Haw Ching Toh
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
19 1
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10.31436/asiatic.v19i1.3644
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Rethinking Self-Discovery Through Ethical Choice in Han Suyin’s <i>The Mountain is Young</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3648
<p>Han Suyin’s <em>The Mountain is Young</em> (1958) portrays the love story of a married Eurasian woman in Kathmandu. While the remarkable love story unfolds alongside the protagonist’s struggle against the rigid European colonial morality, many studies primarily focus on the woman’s self-discovery and spiritual awakening through romantic love, failing to explore the ethical implications behind her choices that lead to self-discovery. Nie Zhenzhao’s ethical literary criticism highlights that the ethical dilemmas and choices of characters influence their actions and the progression of plot within the literary works. Drawing on Nie’s framework, along with postcolonial concepts of neocolonialism and Otherness, this study examines the ethical dilemmas and choices faced by a married Eurasian woman in Nepal’s post-colonial period, focusing on how these moral struggles shape her self-discovery. Examining her ethical choices, this study argues that the Eurasian woman’s search for self is essentially an ethical issue, resulting from the moral dilemmas imposed by European colonial standards. An ethical literary analysis of the Eurasian woman’s self-discovery not only offers a new perspective on the novel but also reveals the ethical choice of a female Eurasian writer to resist the old colonial ethical order in the post-colonial period.</p>
Xiaoling Hu
Arbaayah bt Ali Termizi
Florence Toh Haw Ching
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
19 1
115
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10.31436/asiatic.v19i1.3648
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Ableism’s Impact on Body and Identity in Indra Sinha’s <i>Animal’s People </i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3649
<p>This study explores the link between ableism and identity formation through the discourse analysis of Indra Sinha’s <em>Animal’s People</em> (2007). Set against the backdrop of a post-industrial disaster, the Bhopal gas tragedy in an Indian metropolis, the novel provides a powerful narrative about the marginalised. By analysing the social perceptions and structures that define ability, normalcy, and physical beauty, the study investigates how societal norms and cultural attitudes frame the protagonist’s experiences of exclusion and identity crisis. The study further investigates how the novel critiques the broader social and cultural dimensions of ableism in post-colonial contexts, revealing the intersection of power, disability, and identity in the social fabric of Asian societies. Social constructionist perspectives provide a framework for comprehending the social construction of disability, stigma, othering of disabled bodies, and cultural norms of beauty, normalcy, ability, and identity. Subjective and objective realities are discussed around the character, Animal. The study findings reveal the profound personal consequence of ableism on the self-image, body image, and self-perception of individuals with disabilities, the dehumanisation, marginalisation, and ultimately, an identity crisis of disabled individuals.</p>
Mary Job T
Christine Ann Thomas
G S Prakasha
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3649
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Roshenara Khan. <i>Women in Bengali Muslim Society</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3652
<p>.</p>
Atasi Roy
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3652
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Rahat Ara Begum. <i>Lost Tales from a Bygone Era</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3653
<p>.</p>
Sabiha Huq
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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Sengupta Nabanita and Samrita Sengupta Sinha, eds. <i>Female Narratives of Protest: Literary and Cultural Representations from South Asia</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3654
<p>.</p>
Aparna Singh
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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Mitali Chakravarty and Ratnottama Sengupta, eds. <i>Our Stories, Our Struggle Violence and the Lives of Women</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3655
<p>.</p>
Sutanuka Ghosh Roy
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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Himadri Lahiri and Srideep Mukherjee (eds), <i>Nationhood and the Indian Subcontinent: Contemporary Cultural Reflections</i>
https://journals.iium.edu.my/asiatic/index.php/ajell/article/view/3656
<p>.</p>
Dhurjjati Sarma
Copyright (c) 2025 Asiatic: IIUM Journal of English Language and Literature
2025-06-01
2025-06-01
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10.31436/asiatic.v19i1.3656