Topography of Loss: Homeland, History and Memory in Sorayya Khan’s Fiction

  • Bandana Chakrabarty

Abstract

The paper explores the interplay of memory and history in the three novels of Sorayya Khan – Noor (2003), Five Queen’s Road (2009) and City of Spies (2015). In each of these novels, the writer explores the violence of history. In the first novel it is the liberation war of Bangladesh, in the second, the partition of India and in the third, it is the international control over Pakistan, in this case, the American presence. Not necessarily concerned with chronological histories she centre-stages individual actions and the causes and effects behind them. Based in the States, Khan is born of a mixed marriage but her fiction is concerned with her paternal legacy. The loss of the “homeland” the process of rehabilitation and the values that hold human beings rooted in the past are all dominant concerns in her fiction.. Individual choices are very often overpowered by political realities.

Author Biography

Bandana Chakrabarty
Bandana Chakrabarty presently working as Principal, Rajasthan School of Art, Jaipur has taught English at various Government colleges in Rajasthan since 1980. Author of Alice Munro (2012), she has co-edited several books including Contemporary Indian Drama: Astride Two Traditions (2005), Culture, Transformation and Identity: Travel, Fiction, Autobiography (2015), Embracing Glocal English (2015) and Contemporary Women’s Writing in Canada (2016). She is the President of Elt@i Rajasthan, Jaipur Chapter. Email: bandana.chakrabarty@gmail.com.
Published
2017-06-15
How to Cite
CHAKRABARTY, Bandana. Topography of Loss: Homeland, History and Memory in Sorayya Khan’s Fiction. <i>Asiatic</i>: IIUM Journal of English Language and Literature, [S.l.], v. 11, n. 1, june 2017. ISSN 1985-3106. Available at: <http://journals.iium.edu.my/asiatic/index.php/AJELL/article/view/963>. Date accessed: 19 sep. 2017.
Section
Section II: Articles and Interviews on South Asian Diaspora Literature